Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Deserted

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Rookie magazine was also feeling the travel bug last month and in addition to their other content on fashion and life they shared this series of photographs by Chrissie White. After a year apart with a friend the two met up and roadtripped together to Seattle with Chrissie White documenting nearly every step in the journey. The result is a stunning set of images highlighting the natural beauty of the coast and once again, is making me long for a road trip of my own (as long as someone else is driving!).

Jazz Age Party

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Every summer Governors Island turns back time for the Jazz Age Lawn Party complete with live orchestra. The pictures of this picnic on the lawn are always incredibly envy-inducing; everything i set up like a dream and there's even a paper moon handy for posing. This year's party just ended this past weekend and I'm sure there will be a round a new inspiring photographs hitting the webs shortly. Anyway, I would love to be able to attend it one day, although I definitely don't have the perfect outfit yet...
*pictures by Stephen La Marche

Deborah Turbeville

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Working since the 1970s Deborah Turbeville has an approach to photography that is uniquely her own. Described as the anti-Helmut Newton Turbeville's photographs are hazy, but still images--models as sculptures through a shifting, sheer curtain. Still popular with fashion magazines and houses today (she shot Valentino's 2013 ad campaign) her aesthetic has never wavered. Most of her effects are post-production; she shoots in film and then scratches and smears the negatives. Of course this style was first the product of mistakes.
She began her career as a fashion editor and after being fired for "being too much" and attempted to cast non-model types she picked up her first camera. Her first camera has a soft focus lens and there were many errors, but she liked the mistakes and learned to incorporate them intentionally into her work. In her own words, "I’m not pinpointing anything; you never know, that’s the mystery. It’s just a suggestion and you leave it to the audience to put what they want on it. It’s fashion in disguise." The result is eerie and often changes the way people view fashion--her shoot of models in a bathhouse, almost pale and almost seeming to melt into the walls shocked readers of Vogue in 1975. It wasn't how swimsuits were typically shot.
I really admire photographers whose work is instantly recognizable and am increasingly fascinated with those who use the medium in an unintended way--those who take a tool capable of giving a sharp snapshot of a moment and turning the image into something more painterly. While Turbeville works on distinct series for magazines or designer's there's a continuing aesthetic theme that ties all of her photographs together.

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Lisa Fonssagrives photographed by Irving Penn

Sightseer Series

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Seems fitting following my own brief vacation where I was the ultimate tourist with camera nearly glued to my hand to share these pictures of sightseers by Roger Minick. During the 1980s Roger Minick decided to document vacationing families at popular tourist stops throughout the United States and the result is this quirky color series. I'm a big fan of the families with matching shirts...which does remind me of one family holiday to Florida when I was a kid. Between the square crop and oversaturated colors the photos feel like Instagrams of yester-year; a fun time capsule into the recent past.

Helen Levitt

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Helen Levitt is sometimes called "the most celebrated and least known photographer of her time." Her photographs received several solo shows while she was alive and today they circle the web, but her name is not one on the tip of your tongue when you start to name famous photographers who worked from the 1930s onward. Levitt grew up in Brooklyn and dropped out of high school to pursue photography, in the 1930s she was drawn to the transitory chalk drawings of New York's children street culture. This series of photographs of those chalk drawings and the children behind them formed her photography style. Although candid and always urban in setting, Levitt's photography has an artistic touch--she was also known as "New York's visual poet laureate." While she worked in color in later years, it is these early black and white photographs of children and chalk that are catching my eye this summer. 

Pictures Of You, Pictures Of Me

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I recently printed out a few of my favorite instagrams using Printic. When you take a lot of digital photos it's nice to have something tangible every once in awhile and Printic is a pretty affordable way to do it. I probably won't have these pictures for long--I think they're nice to pass along in letters, scrawl a little caption on the bottom and sort of say, "carry me around in your pocket and place me between the pages of your favorite book."

Vivian Maier

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This post is one I've started multiple times and never finished--there's just so much to say and a lack of cohesiveness to my thoughts. The broad subject is: what is about Chicago that appeals to shy, yet prolific artists? The narrow is: Vivian Maier.
Vivian Maier is a prolific street photographer who documented Chicago's sidewalks from the 1950s through the 1990s. Her name has only recently entered the modern vocabulary of photographers because her work was not discovered until after her death. In fact, Maier never showed her photographs to anyone or even had many of them developed during her lifetime. She worked as a nanny for the nearly 40 years she was based in Chicago. Her work is not just significant in the fact that it was found after she passed--the photographs stand on their own; poignant portraits of people from all walks of life, self portraits that appear carefully crafted, and even stolen magical moments of evening light and reflective puddles.
In 2007 John Maloof stumbled across 30,000 negatives and prints from a storage locker. Slowly Maloof pieced together that this was the work of one photographer and began to acquire more of her nearly 100,000 negatives that had never been printed. Through more research Maloof began to learn about the shy Maier, who while profound in her photography led a quiet, unremarked upon life. Today there are several books available featuring her work and a documentary film in the works that will include interviews from families she nannied and further discussion on her curious life.
Of course, Maier is not the first artist in Chicago to only be discovered post-humously. Henry Joseph Darger was a reclusive writer and artist who's 15,145 singled-spaced fantasy manuscript was uncovered by his landlords after his death. His documentary In The Realms Of The Unreal is a fascinating peak into the complicated mind of an artist who spent his days working as a custodian. While his work is now one of the most popular pieces of outsider art and the term Vivian Girls had entered pop culture vocabulary, Darger like Maier made no attempt to publish or share his work. For both art seems to be purely for art's sake--perhaps a form of therapy or release.
So the question remains, what about Chicago attracts these reclusive artists who create with almost obsessive drive yet never publish? Maier photographed everyday scenes from Chicago nearly every day of her working life, yet she did not even seek to print many of her negatives even for personal enjoyment...it baffles in a society obsessed with fame and an art world defined mostly by recognition. And further, how many other unknown artists are spending their nights tirelessly crafting masterpieces that will never see the light of day?